Le journal de Berlin Photo Studio
Des personnes, des projets et des histoires photographiques nés dans notre studio, notre labo et notre communauté créative à Berlin.
50 articles
Jung Ho Do photographs the streets of Old Québec by taking things away: waiting for light, reducing distraction, and looking for the instant when an ordinary scene becomes...
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Susan Eline’s portrait practice grew from inherited cameras and Amsterdam’s music scene. Now she is using different photographic devices to explore identity, perception and the many versions of...
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After years in Europe, Brandon Langiano’s return to Tasmania forced him to separate his photographic eye from the cities that had shaped it—and to begin again more slowly.
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Anthony Porcaro builds fictional scenes and then subjects them to wet-plate collodion, using the physical evidence of chemistry to question what makes a photograph feel truthful.
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For Alexandra Fuller, sustained attention is a form of care. Her photographs of landscape, animals, traces and openings grow from a life spent writing, filmmaking and learning how...
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Miguel Inzunza reflects on analogue photography as a way to slow down, notice everyday life and turn ordinary moments into memory.
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For Rori, photography is less about forcing a project than allowing everyday images to gather meaning over time—from family memories in Indonesia to a slower film practice in...
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Nick Carver uses slow analogue processes to photograph overlooked buildings and ordinary urban scenes—the places most people pass without a second thought, often just before they disappear.
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Rocío Tenaglia photographs people, homes, plants and cities through intuition, using film as a way to hold together memory, movement, love and the changing meaning of home.
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Yuliya Panchenko’s Forbidden Frames project uses 100 cameras across roughly a century of photographic history to ask what intimate photography might have looked like—and why so much of...
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For Sebastián Neira González, analogue photography interrupts routine. From Santiago and Valparaíso to his first months in Berlin, the camera is a way to slow down, enter the...
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Manuel Guerzoni uses photography to quiet his own internal noise and turn his attention toward social fractures in the United States, treating technical precision as a form of...
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John Hoare on wet-plate collodion, slow portraiture, chemistry, theatre and the pleasure of making one physical image at a time.
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Hazal Karadag photographs colours, animals, people and small neighbourhood details on film, turning chance encounters into markers of places and periods she wants to remember.
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Adrian Lee on wet-plate collodion as craft, history, chemistry, collaboration, failure and a way of making photographs from scratch.
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Felipe Tofani returned to film during the pandemic, drawn to its slowness, experimentation and ability to turn a developed roll into a trip back in time. Berlin became...
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Mike Weinberg on film photography as presence, meditation, patience and a way of getting lost in the world rather than in thought.
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Grant Bayley on analogue photography, family archives, inherited cameras and why physical memories matter in a digital life.
Lire l'articleLe labo argentique de Berlin Photo Studio
Développement C-41, ECN-2, noir et blanc et E-6 à Berlin, avec des options claires et une numérisation professionnelle.
