{"product_id":"ecn2-acid-100t-135-36","title":"ECN-2 - Acido 100T - 135\/36","description":"\u003cp class=\"p1\"\u003eLa pellicola \u003cspan class=\"s1\"\u003e\u003cstrong\u003eECN2 Acid 100T 135\/36\u003c\/strong\u003e\u003c\/span\u003e deriva da Kodak Vision3 500T (5219), una delle emulsioni più utilizzate nel cinema. È bilanciata per luce al tungsteno a \u003cspan class=\"s1\"\u003e\u003cstrong\u003e3200 K\u003c\/strong\u003e\u003c\/span\u003e, quindi è adatta all’illuminazione artificiale, per esempio negli interni, sotto i neon e nelle fotografie notturne.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSebbene sia proposta come 100T per la sperimentazione creativa, l’emulsione originale ha una sensibilità di ISO 500. ECN2 Acid 100T 135\/36 può essere esposta tra \u003cspan class=\"s1\"\u003e\u003cstrong\u003eISO 100 e ISO 1600\u003c\/strong\u003e\u003c\/span\u003e grazie all’ampia latitudine di posa e alla possibilità di ricorrere allo sviluppo push o pull.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCaratteristiche principali:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003eColori dal carattere cinematografico\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003eAmpia gamma dinamica\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003eOttima conservazione dei dettagli nelle alte luci\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003eIncarnati naturali\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003eGrande flessibilità nello sviluppo push e pull\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePoiché conserva lo \u003cspan class=\"s1\"\u003e\u003cstrong\u003estrato remjet\u003c\/strong\u003e\u003c\/span\u003e, ECN2 Acid 100T 135\/36 richiede la \u003cspan class=\"s1\"\u003e\u003cstrong\u003echimica ECN-2\u003c\/strong\u003e\u003c\/span\u003e e non può essere trattata nei normali impianti C-41.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eConsigli di ripresa\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e🌙 Preferisci la luce al tungsteno o altre sorgenti artificiali\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e☀️ In luce diurna, usa un \u003cspan class=\"s1\"\u003e\u003cstrong\u003efiltro 85B\u003c\/strong\u003e\u003c\/span\u003e oppure correggi i colori in fase di scansione\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e🧪 Usa la \u003cspan class=\"s1\"\u003e\u003cstrong\u003echimica ECN-2\u003c\/strong\u003e\u003c\/span\u003e per ottenere i colori cinematografici previsti\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e⚠️ Pellicola ribobinata a mano: l’ultimo fotogramma potrebbe talvolta risultare tagliato\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eSpecifiche tecniche\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eTipo di pellicola:\u003c\/strong\u003e\u003c\/span\u003e Pellicola negativa a colori per uso cinematografico\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003ePellicola di origine:\u003c\/strong\u003e\u003c\/span\u003e Kodak Vision3 500T (5219)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eFormato:\u003c\/strong\u003e\u003c\/span\u003e 35 mm \/ 135 – 36 pose\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eBilanciamento cromatico:\u003c\/strong\u003e\u003c\/span\u003e Luce al tungsteno (3200 K)\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cstrong\u003eSensibilità originale:\u003c\/strong\u003e\u003cspan class=\"s3\"\u003e ISO 500\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eEsposizione per uso creativo:\u003c\/strong\u003e\u003c\/span\u003e ISO 100–1600 con sviluppo push\/pull\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eSviluppo:\u003c\/strong\u003e\u003c\/span\u003e Solo ECN-2\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cstrong\u003eStrato remjet:\u003c\/strong\u003e\u003cspan class=\"s3\"\u003e Sì\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eConservazione:\u003c\/strong\u003e\u003c\/span\u003e Si consiglia la conservazione in frigorifero\u003c\/p\u003e\u003ch3\u003eScopri di più sulla fotografia analogica\u003c\/h3\u003e\u003cp\u003eAbbina questo rullino ai nostri \u003ca href=\"https:\/\/photostudioberlin.pro\/collections\/film-development\"\u003eservizi di sviluppo e scansione\u003c\/a\u003e, scopri altre \u003ca href=\"https:\/\/photostudioberlin.pro\/collections\/film-rolls-35mm\"\u003epellicole da 35 mm\u003c\/a\u003e, oppure scegli una fotocamera dalla \u003ca href=\"https:\/\/photostudioberlin.pro\/collections\/cameras\"\u003ecollezione di fotocamere analogiche\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003ePer il processo ECN-2 descritto sopra, consulta il nostro servizio di \u003ca href=\"\/it\/products\/ecn-2-cinematic-film-development\"\u003esviluppo ECN-2 con scansioni opzionali\u003c\/a\u003e. Indica nell’ordine il tipo esatto di pellicola.\u003c\/p\u003e","brand":"Berlin Photo Studio","offers":[{"title":"Default Title","offer_id":53204639678801,"sku":"BPS-FIL-ECN2-ACID-100T-135-STD-78801","price":7.9,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1025\/0436\/6417\/files\/5eac4d5e-31102025-EVT_2762-scaled.jpg?v=1772739166","url":"https:\/\/photostudioberlin.pro\/it\/products\/ecn2-acid-100t-135-36","provider":"Berlin Photo Studio","version":"1.0","type":"link"}